Font Hero

Free for Commercial Use

Serif Flared Fimo 2 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Castle EF' by Elsner+Flake, 'Castle' and 'Optima' by Linotype, 'Alinea Incise' by Présence Typo, 'Columbia Serial' by SoftMaker, and 'Castle' and 'Classico' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial, book covers, packaging, branding, classic, confident, formal, literary, authority, heritage, readability, presence, distinctiveness, flared, bracketed, sculpted, calligraphic, crisp.


Free for commercial use
Customize the font name

A robust serif with sculpted, flaring terminals and softly bracketed serifs that give strokes a carved, tapered feel rather than blunt slab endings. Stems are weighty and steady, with moderate thick–thin modulation that reads clearly in both uppercase and lowercase. Curves are generously rounded (notably in C, G, O, and S), while joins and terminals often narrow into sharp, slightly angled beaks. The lowercase shows compact, sturdy forms with a two-storey a and g, a short-armed t, and a pronounced, wedge-like entry on letters such as n and m, producing a rhythmic, slightly dynamic texture in text.

Well-suited to headlines, decks, and pull quotes where a strong serif voice is needed. It also fits editorial design, book and magazine titling, and branding or packaging that benefits from a classic yet slightly sculptural texture.

The overall tone is authoritative and traditional, leaning toward bookish and editorial rather than decorative. Its flared endings and crisp joins add a subtle historical, inscriptional flavor, giving text a confident, established voice.

The design appears intended to merge traditional serif proportions with flared, tapered terminals to achieve a bold, refined presence—offering a classical foundation while adding energy and distinctiveness through its sculpted stroke endings.

The font’s dark color and relatively tight internal counters create strong presence at display and subhead sizes, while the consistent tapering at terminals helps avoid a purely heavy, blocky impression. Numerals appear sturdy and legible, with simple, classical shapes that match the text serifs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸