Sans Contrasted Obfy 3 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: editorial, headlines, branding, magazine, invitations, elegant, literary, refined, classic, formal, refinement, editorial tone, classic modernity, calligraphic nuance, calligraphic, transitional, bracketed, flared, crisp.
This typeface shows crisp, high-contrast strokes with gently modulated curves and tapered terminals. Many forms read as serifless at a glance, but the ends often flare or finish with subtle, bracket-like shaping that gives a calligraphic edge without heavy ornament. Capitals are stately and open, with smooth bowls and controlled joins; the overall rhythm feels measured rather than mechanical. Lowercase features a single-storey “a” and “g”, a narrow, slightly curved “t” with a light crossbar, and a flowing “y” with a long, hooked descender. Numerals are similarly contrasty and formal, with rounded figures like 6/8/9 showing clean internal counters and sharp thinning at the turns.
This font performs especially well in editorial contexts—magazine headlines, book jackets, pull quotes, and refined display typography—where its contrast and tapered terminals add sophistication. It can also support upscale branding and invitations, particularly when set with comfortable tracking and adequate size to preserve the delicate thins.
The overall tone is polished and literary, combining a classic bookish sensibility with a lightly calligraphic liveliness. It feels formal and composed, suited to settings where a sense of tradition and refinement is desirable, while still remaining clear and contemporary enough for modern layouts.
The design intention appears to be a refined, contrast-driven text and display face that brings classical, calligraphic nuance into a clean, contemporary structure. It prioritizes elegance and rhythm, offering expressive stroke modulation while keeping letterforms orderly and readable.
Spacing appears generous in the sample text, helping the strong contrast and delicate hairlines remain legible. Round letters (O, Q, C, G) maintain consistent curvature, while diagonals (V, W, X, Y) emphasize sharp, tapered stroke endings, creating a dynamic texture in headlines and short passages.