Sans Normal Utrey 6 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'CamingoDos SemiCondensed' by Jan Fromm, 'TheSans' by LucasFonts, 'PF Adamant Sans Pro' by Parachute, and 'Modal' by Schriftlabor (names referenced only for comparison).
Keywords: branding, headlines, ui labels, packaging, posters, modern, friendly, dynamic, clean, modernize, add emphasis, improve clarity, stay approachable, slanted, geometric, rounded, open, upright stress.
A slanted sans with a clean, geometric skeleton and generously rounded curves. Strokes are even and smooth with minimal contrast, producing a stable, contemporary color on the page. Capitals are wide and clear with open apertures (notably in C and G), while the lowercase maintains a straightforward rhythm with simple, single-storey forms and rounded terminals. Figures are sturdy and readable, with oval bowls and uncomplicated construction that matches the letters.
Well suited for branding and headline typography where a contemporary, energetic italic voice is desired. It can also work effectively for UI labels, short interface text, and packaging copy where clean shapes and open counters support quick recognition. For longer passages, it reads best at comfortable sizes where the slant contributes emphasis without feeling busy.
The overall tone is modern and approachable, with the italic slant adding motion and a mild sense of emphasis. Its rounded geometry keeps it friendly rather than technical, making it feel contemporary and easygoing.
The font appears designed to deliver a versatile italic sans with a geometric, rounded construction—balancing a modern look with friendly readability. Its consistent slant and straightforward forms suggest an intention to provide an all-purpose emphasis style that remains clear across mixed-case text and numerals.
The design favors clarity over idiosyncrasy: counters stay open, curves are smooth, and joins remain uncomplicated, helping text stay legible at display and mid text sizes. The slant is consistent across uppercase, lowercase, and numerals, giving mixed setting a unified, energetic cadence.