Sans Superellipse Hamiz 9 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'RBNo3.1' by René Bieder, 'Gemsbuck Pro' by Studio Fat Cat, 'Obvia Wide' by Typefolio, and 'JP Alva Expanded' by jpFonts (names referenced only for comparison).
Keywords: ui design, product design, app branding, signage, packaging, modern, technical, friendly, utilitarian, clean, system design, modernization, approachability, clarity, branding, rounded, geometric, squared, compact, sturdy.
A rounded, geometric sans with superellipse-driven curves and squared-off counters that create a softly rectangular silhouette. Strokes are uniform and monolinear, with smooth joins and largely closed apertures that keep forms compact and sturdy. Corners are consistently rounded, while horizontals and verticals read stable and engineered; diagonals (V/W/X/Y) are crisp and slightly softened at terminals. Numerals follow the same squared-round logic, with simplified, highly regular shapes and generous interior rounding.
This font is well suited to interface typography, dashboards, and product labeling where a clean, modern sans is needed with slightly softened geometry. Its sturdy, squared-round shapes also fit wayfinding and signage, as well as contemporary brand systems that want a technical feel without harshness. It performs best in display and short-to-medium text settings where the compact forms read as deliberate and structured.
The overall tone feels contemporary and tech-adjacent: clean, efficient, and systematic, yet approachable due to the rounded corners and soft rectangular geometry. It projects a pragmatic, product-minded personality—more functional than expressive—while still retaining a friendly, modern warmth.
The design intention appears to be a neutral, contemporary sans built around rounded-rectangle geometry for consistency and a distinctive, systematized look. It aims to balance technical precision with approachability, offering a practical voice for modern digital and product contexts.
Round letters (O/Q/0) lean toward rounded-rectangle forms rather than pure circles, reinforcing a consistent superelliptical theme across caps, lowercase, and figures. The lowercase includes single-storey forms (notably a and g), contributing to a straightforward, UI-oriented texture. Spacing and rhythm appear even and controlled in the sample text, producing a solid, blocky paragraph color at larger sizes.