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Free for Commercial Use

Sans Normal Lalof 12 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Graphie' by Dharma Type, 'Grilova' by Gilar Studio, 'Equip' by Hoftype, 'Krong' by Joelmaker, 'Mazzard' by Pepper Type, and 'Gogh' by Type Forward (names referenced only for comparison).

Keywords: headlines, branding, posters, sportswear, packaging, sporty, energetic, punchy, confident, modern, attention, momentum, impact, modernize, bold branding, rounded, slanted, heavy, compact counters, soft corners.


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A heavy, right-slanted sans with broad proportions and a compact, muscular texture. Strokes are uniformly thick with smoothly rounded joins and terminals, giving curves a softened, molded feel rather than sharp geometry. Counters are relatively tight and apertures lean toward closed, which increases density and impact, especially in lowercase. The overall rhythm is steady and forward-leaning, with rounded bowls (o, e, p) contrasted by firm, straight-sided elements (n, m, h) and sturdy diagonals in letters like k, v, w, and x. Numerals match the weight and slant, with bold, simplified forms intended for strong presence at display sizes.

Best suited to display typography where impact matters: headlines, hero text, posters, and bold branding systems. The strong slant and rounded heft also fit sports and fitness identities, energetic campaigns, and packaging that needs to feel modern and loud. For extended reading, it will perform better in short bursts (subheads, callouts) than in dense body copy.

The font reads as assertive and kinetic, projecting a sense of motion and urgency through its consistent slant and blocky weight. Its rounded construction keeps the tone friendly and contemporary rather than aggressive, making it feel sporty and promotional. Overall it conveys confidence and immediacy—built to grab attention quickly.

The design appears intended as a high-impact italic sans that combines speed cues with approachable rounded forms. Its proportions and tight counters prioritize strong silhouettes and compact, attention-grabbing word shapes for advertising and brand-forward communication.

In longer samples the dense counters and heavy color can reduce clarity at smaller sizes, while larger settings emphasize its smooth curves and strong silhouette. The italic angle is consistent across caps, lowercase, and numerals, reinforcing a cohesive, fast-paced voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸