Sans Superellipse Olrez 9 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'FF Nort Headline' by FontFont, 'Gotham' by Hoefler & Co., 'Prelo Compressed' by Monotype, 'Corbert Compact' by The Northern Block, 'Robusta' by Tilde, and 'Fingerprint' by TypeArt Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, labels, condensed, industrial, utilitarian, retro, space saving, high impact, clear labeling, systematic tone, rounded, compact, sturdy, clean, punchy.
A compact, condensed sans with rounded-rectangle construction and softly curved corners throughout. Strokes are heavy and even, with minimal modulation and tight internal apertures that reinforce a dense, space-efficient texture. Curves (C, G, O) read as superelliptical rather than circular, and terminals are mostly blunt with gentle rounding. The lowercase is straightforward and workmanlike, with a single-storey a and g, a short-armed r, and a compact e; numerals follow the same condensed, rounded-rect logic for a cohesive set.
Best suited to headlines, posters, packaging, labels, and signage where you need strong impact in limited horizontal space. It can also work for short bursts of UI or editorial emphasis, but the dense counters suggest avoiding long body copy at small sizes.
The overall tone is pragmatic and assertive—more functional than expressive—suggesting industrial labeling and bold, no-nonsense messaging. Its condensed rhythm and rounded corners add a subtle retro flavor while keeping the voice direct and contemporary.
The design appears intended to deliver maximum presence in a narrow footprint, pairing a sturdy, low-fuss skeleton with rounded-rectangle forms for a distinctive, production-friendly look. It prioritizes bold readability and compact line fitting while maintaining a consistent, modern-industrial character.
The tight proportions and narrow counters create strong color in lines of text, especially in headlines, while the rounded corners prevent the heavy strokes from feeling harsh. The width economy is consistent across letters and figures, giving the font an efficient, column-friendly cadence.