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Free for Commercial Use

Sans Normal Lymir 4 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'ATF Franklin Gothic' by ATF Collection, 'Siro' by Dharma Type, 'CF Mod Grotesk' by Fonts.GR, 'Plymouth Serial' by SoftMaker, 'Kommon Grotesk' by TypeK, and 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, posters, sportswear, branding, packaging, sporty, punchy, assertive, energetic, modern, impact, speed, emphasis, headline use, brand presence, oblique, blocky, rounded, compact, heavy.


Free for commercial use
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A heavy oblique sans with broad, rounded shapes and a compact internal economy. Curves are full and smooth while terminals tend to be clean and blunt, creating a sturdy silhouette with minimal stroke modulation. Counters are relatively tight (notably in a, e, s, and 8), and the overall texture reads dense and dark, with consistent weight distribution across straight and curved strokes. The numeral set matches the letterforms in mass and slant, with simple, emphatic shapes designed to hold up at large sizes.

Best suited to headlines, posters, and branded messaging where strong emphasis and motion are desirable. It also fits sports and fitness identities, event graphics, packaging callouts, and other applications that benefit from a compact, high-contrast-from-background typographic block at medium to large sizes.

The font projects a bold, athletic confidence with a forward-leaning, high-impact presence. Its solid color and rounded geometry feel contemporary and promotional, leaning more toward energetic display than quiet neutrality.

The design appears intended as an attention-grabbing oblique display sans that delivers immediate impact and a sense of speed. Its simplified, rounded construction emphasizes bold legibility in promotional contexts rather than extended reading comfort.

The oblique angle is strong enough to be a defining feature, creating momentum in lines of text. Uppercase forms are broad and stable, while the lowercase keeps a workmanlike, simplified construction that prioritizes punch and consistency over delicacy. In longer samples, the tight counters and dense weight suggest better performance in headlines than in small text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸