Sans Superellipse Esniv 7 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka (names referenced only for comparison).
Keywords: headlines, branding, sportswear, technology, interfaces, techy, sporty, futuristic, sleek, confident, modernize, add motion, signal tech, soften geometry, improve clarity, oblique, rounded corners, superelliptic, streamlined, geometric.
A slanted sans with a geometric, superelliptic construction: bowls and counters read as rounded rectangles with consistently softened corners. Strokes stay even and low-contrast, with squared terminals that are subtly radiused rather than sharp. Proportions feel slightly condensed in the curves, giving letters a compact, engineered rhythm, while joins remain clean and simplified. Numerals follow the same rounded-rect logic, producing a cohesive, UI-like set with a firm baseline and clear, modern silhouettes.
Best suited to short-to-medium display settings where the oblique stance and rounded-rect forms can read as intentional styling—brand marks, product names, posters, and sports or automotive-themed graphics. It can also work for UI labels and dashboards when a contemporary, motion-forward voice is desired, especially at sizes where the softened corners remain visible.
The overall tone is modern and performance-oriented, leaning toward a technical, speed-inflected aesthetic. Its rounded geometry keeps it friendly and approachable, while the disciplined forms and forward slant add a sense of motion and precision.
The design appears intended to blend a futuristic, geometric sans voice with a softened, ergonomic finish. By building curves from superelliptic shapes and keeping stroke contrast minimal, it aims for a clean, engineered look that still feels approachable and fast.
Round characters like C, G, O, and Q emphasize the superellipse feel, and the punctuation-free sample shows the design holding together well in longer lines. The slant is consistent across caps, lowercase, and figures, reinforcing a cohesive oblique texture rather than a purely calligraphic italic.