Sans Superellipse Durul 4 is a regular weight, normal width, medium contrast, italic, normal x-height font.
Keywords: headlines, branding, logos, posters, packaging, sporty, techy, dynamic, futuristic, assertive, speed cue, modern branding, geometric system, display impact, oblique, rounded corners, square-rounded, angular, compact.
A slanted, square-rounded sans with superellipse-like bowls and softened corners throughout. Strokes are fairly uniform with subtle contrast introduced by angled terminals and tapered joins, creating a brisk forward rhythm. Counters tend toward rounded rectangles, and many letters show chamfered cuts rather than fully circular curves, giving the design a crisp, engineered geometry. The overall texture is smooth and compact, with sturdy diagonals and consistent curve-to-stem transitions that keep word shapes clean at display sizes.
Best suited for headlines, logotypes, and short-to-medium display text where its geometric construction and oblique energy can be appreciated. It should work well for product branding, sports/event graphics, tech interfaces, and packaging where a contemporary, speed-inflected voice is desired. For extended body copy, it will likely be most comfortable at larger sizes due to its stylized terminals and compact, squared counters.
The tone reads fast and performance-oriented, like branding for motorsport, athletic equipment, or sleek consumer tech. Its forward-leaning posture and clipped terminals add urgency and confidence, while the rounded-square construction keeps it modern and approachable rather than aggressive.
The design appears intended to blend a geometric, rounded-rectangle skeleton with an italicized, high-momentum stance. It aims to signal modernity and speed while staying clean and systematic, using softened corners and controlled cut-ins to maintain legibility and a cohesive, engineered look.
The numeral set follows the same square-rounded logic, with the 0 and 8 built from rounded-rect counters and the 2/3/5 showing strong horizontal feet. Uppercase forms feel slightly more rigid and modular, while lowercase adds a bit more fluidity in joins, helping long lines maintain momentum without becoming overly sharp.