Sans Superellipse Duleb 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Competition' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, ui labels, signage, techno, futuristic, industrial, arcade, geometric, sci-fi branding, interface clarity, display impact, industrial labeling, rounded corners, square forms, modular, stencil-like, compact.
This typeface is built from squared, superellipse-like skeletons with consistently rounded corners and largely uniform stroke thickness. Curves resolve into softened right angles, giving bowls and counters a rounded-rectangle geometry rather than circular forms. Terminals are mostly flat and squared off, with occasional notched or open joins that add a mildly modular, engineered feel. The overall rhythm is compact and structured, with wide, boxy rounds (O, Q, 0) and crisp, rectilinear joins that keep text looking steady and grid-aligned.
It works best for display settings such as headlines, posters, logotypes, and packaging where its geometric personality can read clearly. The sturdy, squared construction also suits UI labels, dashboards, wayfinding, and product markings that benefit from an engineered, interface-oriented tone.
The font projects a clean, retro-tech tone reminiscent of digital interfaces and industrial labeling. Its squared curves and controlled rounding feel modern and machine-made, while the slightly segmented details evoke sci‑fi, arcade, and utilitarian design cues. The impression is confident and functional, with a playful edge due to the softened geometry.
The design appears intended to deliver a futuristic, grid-based sans with softened corners for approachability, balancing strict geometry with a friendly roundness. The subtle cut-in details suggest a desire for a techno flavor and strong differentiation at display sizes while keeping the overall texture consistent in text.
Distinctive rounded-rectangle counters are a defining feature across both uppercase and lowercase. Several glyphs show small gaps or cut-ins at joins and terminals, which increases character and prevents the forms from feeling overly generic. Numerals follow the same boxy logic, maintaining consistent corner radii and a stable, signage-like stance.