Sans Superellipse Ogray 8 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Posey' by Graphicfresh, 'Hemispheres' by Runsell Type, 'Gemsbuck Pro' by Studio Fat Cat, 'Radley' by Variatype, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, sporty, techy, sturdy, friendly, impact, clarity, modernity, durability, approachability, rounded, compact, blocky, geometric, square-rounded.
A heavy, square-rounded sans with superellipse construction: counters and outer curves resolve as rounded rectangles rather than true circles. Strokes are consistently thick with minimal modulation, and terminals are broadly rounded, producing a dense, compact texture. Corners are softened throughout, with generous internal rounding in letters like O, D, and P, and a tall lowercase that keeps bowls and stems visually large. The overall rhythm is tight and blocky, with simplified joins and sturdy diagonals in K, V, W, and X that remain wide and stable rather than sharp.
Best suited for short-to-medium display settings where impact and clarity matter, such as headlines, posters, brand marks, packaging, labels, and wayfinding. The dense weight and rounded-rectangular forms also work well for sporty identities, tech-forward UI accents, and bold callouts where a sturdy, friendly presence is desired.
The tone feels robust and engineered—confident, utilitarian, and slightly playful due to the softened corners. It reads as contemporary and functional, with a sporty, equipment-like voice that suggests durability and modern hardware aesthetics.
The design appears intended to deliver maximum punch and legibility with a cohesive rounded-rect geometry, balancing a tough, industrial structure with softened corners to avoid harshness. It prioritizes strong silhouettes and consistent, modular shapes for a contemporary display voice.
The superelliptical geometry is especially evident in the numerals and round letters, where the forms look squared-off with controlled rounding at the extremes. Punctuation and small details (like the i/j dots) are rendered as compact, squared elements that match the overall blocky system.