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Free for Commercial Use

Sans Superellipse Feduj 6 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'Air Corps JNL' by Jeff Levine (names referenced only for comparison).

Keywords: headlines, posters, sports branding, product packaging, app ui, sporty, dynamic, techy, confident, modern, impact, speed, modernity, approachability, brand voice, rounded, slanted, compact, blocky, smooth.


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A heavy, right-slanted sans with rounded-rectangle construction and softened corners throughout. Strokes stay largely uniform, with broad curves that resolve into flat-ish terminals and subtly chamfered joins, creating a smooth but blocky silhouette. Counters are relatively tight and apertures tend to be partially closed, while the uppercase feels wide-shouldered and sturdy. The lowercase shows a tall body with simple, efficient shapes and single-storey forms, and the numerals are similarly compact and robust, designed to hold up at display sizes.

Best suited for headlines, short statements, and branding where strong presence and a sense of motion are desired. It can work well for sports and fitness identities, automotive or tech-adjacent graphics, packaging callouts, and UI elements that need bold, legible emphasis. For longer text, it is likely most effective in brief subheads or highlighted interface labels rather than paragraphs.

The overall tone is energetic and forward-leaning, with a purposeful, performance-oriented feel. Its rounded geometry keeps it friendly and approachable, while the weight and slant add urgency and impact, suggesting motion and speed. The voice reads as contemporary and confident rather than delicate or formal.

The design appears intended to deliver a streamlined, high-impact italic sans built from rounded-square forms, balancing friendliness with assertiveness. It prioritizes clarity at large sizes, strong word shapes, and a consistent geometric rhythm that reads quickly in branding and display contexts.

Round characters (like C, G, O, Q) favor superelliptical curves over pure circles, giving a squarer rhythm that stays consistent across letters and figures. The italic angle is strong enough to be expressive, and spacing appears tuned for punchy headlines more than extended reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸