Sans Superellipse Onbam 11 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Gotham' by Hoefler & Co., 'Salda' by Hurufatfont, and 'Quan Geometric' and 'Quan Pro' by Typesketchbook (names referenced only for comparison).
Keywords: ui text, signage, headlines, branding, labels, clean, contemporary, friendly, utilitarian, neutral, clarity, modernization, approachability, system design, consistency, rounded corners, high contrast counters, geometric, crisp terminals, open apertures.
This typeface is a geometric sans with subtly squared, superellipse-style curves and consistently rounded corners. Strokes are even and sturdy, with clean, straight terminals and smooth joins that keep the letterforms crisp at larger sizes. Round characters like C, G, O, and Q feel more like rounded rectangles than perfect circles, while diagonals (A, K, V, W, X, Y) are sharp and stable. Counters are generous and the rhythm is orderly, giving the alphabet a calm, engineered consistency across capitals, lowercase, and numerals.
It works well for UI and product typography where clear forms and steady spacing help readability, and it also scales nicely for headlines thanks to its confident geometry. The rounded-square construction makes it a strong fit for signage, labels, and brand systems that favor clean, contemporary forms with softened edges.
The overall tone is modern and approachable without becoming playful. Its rounded geometry softens the voice, while the firm structure and even color keep it feeling practical and straightforward—well suited to interfaces and contemporary branding that want clarity with a hint of warmth.
The design appears intended to blend geometric precision with friendly rounding, creating a dependable sans that feels engineered yet approachable. Its consistent construction and roomy counters suggest an emphasis on clarity and versatility across display and text settings.
Distinctive details include the superellipse-like bowl construction, a compact, robust lowercase with simple, single-storey forms where applicable, and numerals that match the same rounded-rectangular logic. The shapes maintain a consistent visual “boxiness” that reads clearly in both isolated glyphs and running text.