Sans Normal Uhmib 10 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Miss Mable' by Cory Maylett Design (names referenced only for comparison).
Keywords: ui text, branding, wayfinding, editorial, presentations, modern, neutral, clean, functional, corporate, clarity, versatility, modernity, accessibility, neutrality, open apertures, rounded terminals, humanist touches, generous spacing, high legibility.
This typeface presents a clean, contemporary sans with softly rounded curves and mostly straight, unmodulated strokes. Letterforms feel open and airy, with wide counters in characters like O, D, and P and clear apertures in C, S, and e. Terminals are predominantly blunt with subtle rounding, and the overall rhythm is even, with consistent stroke behavior across uppercase, lowercase, and numerals. The lowercase shows a single-storey a and g, a simple ear on g, and straightforward, readable figures with open shapes (notably the 2 and 3) and a balanced, sturdy 0.
It should perform well for UI and product text, dashboards, and documentation where clear letter differentiation matters. The clean, open forms also suit contemporary branding and packaging, and it can scale up comfortably for headings, signage, and presentation typography.
The tone is modern and unobtrusive, aiming for clarity over personality. Its smooth curves and calm proportions suggest a friendly but professional voice, suitable for interfaces and informational settings where neutrality and legibility are the priority.
The likely intention is a versatile, general-purpose sans optimized for everyday readability and a contemporary, neutral aesthetic. Its open counters, restrained detailing, and steady rhythm point to a design meant to stay clear across a range of sizes and contexts without drawing attention away from the content.
The design balances geometric roundness with pragmatic detailing: curves are clean rather than strictly mechanical, and joins/shoulders (n, m, r) stay simple to preserve clarity at size. Uppercase forms are steady and architectural, while lowercase maintains a straightforward, workhorse feel without decorative quirks.