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Sans Superellipse Myli 15 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Pocky Block' by Arterfak Project, 'Ole' by Fly Fonts, 'Gf Special' by Gigofonts, 'Stallman Round' by Par Défaut, and 'Motte' by TypeClassHeroes (names referenced only for comparison).

Keywords: headlines, posters, sports branding, game titles, product packaging, industrial, athletic, retro, techy, assertive, space-saving impact, display emphasis, industrial tone, sporty branding, geometric coherence, blocky, condensed, geometric, rounded corners, square forms.


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A heavy, condensed sans built from squared-off, superellipse-like forms with consistently rounded outer corners. Strokes are broadly uniform with minimal modulation, and counters tend to be small and rectangular, producing a compact, high-impact texture. Curves are largely rationalized into squarish bowls (notably in C, G, O, and 0), while verticals stay dominant and terminals finish flat. The overall rhythm is tight and poster-like, with short crossbars and compact apertures that favor solidity over openness.

Best suited to short, bold settings where impact and compact width are assets—headlines, posters, signage, and attention-grabbing labels. It also fits athletic identities, game/UI title treatments, and tech-forward or industrial-themed branding where a dense, geometric tone is desirable.

The font projects a tough, no-nonsense voice with a distinctly industrial and sporty edge. Its squared geometry and dense color feel utilitarian and mechanical, while the rounded corners keep it from becoming harsh, adding a controlled retro-futurist flavor.

The letterforms appear designed to maximize visual weight and presence in limited horizontal space, using rounded-rectangle geometry to stay cohesive across curves and straight segments. The intent seems to be a strong display face that reads as modern-industrial and sporty, with simplified, squared construction for consistency and punch.

The design leans on strong stencil-less blocks rather than calligraphic cues, giving it a uniform, engineered presence. In longer lines, the dense counters and tight internal shapes create a dark, punchy paragraph color that reads best with generous tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸