Sans Superellipse Abnak 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Aalto Sans' by Los Andes, 'Tenorite' by Microsoft Corporation, 'Akwe Pro' by ROHH, and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: ui text, branding, signage, editorial, presentations, clean, neutral, modern, friendly, functional, versatility, legibility, approachability, contemporary tone, systematic design, rounded terminals, open apertures, humanist, soft corners, geometric.
A clean sans with softly squared, superellipse-influenced curves and consistently rounded corners. Strokes stay even and calm, with a steady rhythm and moderate, readable proportions. Round letters (O, C, G, e) feel gently rectangular rather than perfectly circular, while straight-sided forms (E, F, H, N) remain crisp without harsh edges. Lowercase shows open apertures and simple, unembellished construction; the two-storey "g" is compact and smooth, and the overall spacing reads even and utilitarian. Numerals are straightforward and legible, matching the same rounded, low-drama drawing.
Well-suited to user interfaces, product copy, and informational design where clarity and a calm voice matter. The softened corners and squared-round forms also make it a good fit for contemporary branding, packaging, and signage that wants to feel modern yet approachable. In editorial or presentation settings, it supports longer passages while still looking crisp in headings.
The tone is practical and contemporary, with a softened geometry that adds approachability without becoming casual. It feels restrained and dependable—more “interface clean” than “display loud”—with enough warmth from the rounded forms to avoid a cold, rigid impression.
The design appears intended as a versatile workhorse sans that blends geometric cleanliness with gentle, rounded-rectangle modulation for a warmer, more contemporary feel. It prioritizes legibility and consistency, aiming to perform across both display and text contexts without drawing attention to itself.
Several shapes lean toward rounded-rectangle geometry, giving counters and bowls a subtly squared character. The uppercase set reads stable and clear, while the lowercase introduces a slightly more human rhythm through open joins and simplified curves, helping longer text stay comfortable.