Sans Superellipse Pilif 3 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Corner Deli' by Fenotype, 'Helvegen' by Ironbird Creative, 'Pen Nib Square JNL' by Jeff Levine, 'Limbus Sans' by Luker Type, and 'Godiva' by Suby Studio (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, modern, confident, utilitarian, friendly, impact, clarity, compactness, solidity, blocky, compact, geometric, rounded corners, sturdy.
The design is built from compact, squared-off shapes with generously rounded corners, producing a superellipse-like rhythm across both uppercase and lowercase. Strokes are consistently heavy with minimal modulation, and counters tend to be tight and rectangular, emphasizing a sturdy, compressed silhouette. Terminals are blunt and clean, curves are controlled rather than calligraphic, and the overall spacing reads as efficient and compact, especially in all-caps settings.
Well-suited for headlines, posters, and branding where a compact, high-impact sans is needed. It can work effectively for packaging, labels, and UI/wayfinding elements that benefit from sturdy, simplified forms and clear silhouettes. For longer reading, it is likely best used in short bursts—subheads, pull quotes, or display lines—where its dense structure can shine without feeling heavy.
This typeface projects a confident, no-nonsense tone with a slightly industrial flavor. Its rounded-rectangle geometry softens the attitude, keeping it approachable while still feeling assertive and contemporary.
The letterforms appear designed to deliver strong visual impact in limited horizontal space while maintaining clear, simplified shapes. The rounded-rectangle construction suggests an intention to balance toughness with approachability, making the face feel contemporary rather than harsh.
Uppercase forms read especially uniform and architectural, with squared bowls and rounded corners creating a consistent grid-like texture. Lowercase remains similarly constructed, with simple single-storey forms (notably the a) and a compact, efficient rhythm that reinforces the typeface’s condensed, display-forward character.