Sans Faceted Rawe 2 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: posters, headlines, logos, packaging, game ui, edgy, handmade, futuristic, angular, playful, display impact, stylization, edginess, motion, faceted, geometric, sharp, skewed, irregular.
This typeface is built from sharp, faceted strokes with planar corners standing in for curves, producing a distinctly angular silhouette throughout. Strokes are monolinear and slightly uneven in rhythm, with a consistent forward slant and an intentionally informal, hand-drawn construction. Counters are often diamond-like or open, and many joins resolve into pointed terminals, giving letters a chiseled, polygonal feel. Proportions are fairly compact with straightforward uppercase forms and simpler lowercase shapes, while overall spacing reads a bit lively due to the irregular angles and occasional asymmetry.
Best suited for posters, headlines, and short bursts of copy where a sharp, stylized voice is desired. It can work well in branding, logos, packaging, and entertainment contexts (especially game or genre-forward UI) where an angular, kinetic texture adds personality. For longer reading, it’s better as an accent font paired with a calmer text face.
The overall tone is edgy and energetic, blending a DIY marker-like attitude with a sci‑fi, crystalline sharpness. It feels playful but slightly aggressive, like hand-cut lettering or stylized runes interpreted through a modern geometric lens. The forward slant adds motion and urgency, making the text feel active rather than static.
The design appears intended to translate sans-serif structure into a faceted, angular system that feels hand-made yet visually systematic. Its slanted stance and polygonal construction prioritize character and impact over neutral text performance, aiming for a distinctive, energetic display presence.
Legibility is strongest at display sizes where the distinctive facets and pointed terminals can be appreciated; at smaller sizes the angular substitutions for curves may make similar shapes feel closer together. Numerals and capitals carry the most graphic punch, while the lowercase maintains the same faceted logic with a lighter, more casual texture.