Sans Other Kokaj 7 is a regular weight, wide, low contrast, italic, tall x-height, monospaced font visually similar to 'Operator' by Hoefler & Co. (names referenced only for comparison).
Keywords: coding, ui labels, data tables, technical docs, signage, technical, sporty, modern, utilitarian, forward-leaning, systematize, maximize clarity, add motion, retain uniformity, slanted, angular, square-shouldered, blunt terminals, compact curves.
A slanted, sans construction with broad proportions and a steady, even stroke that keeps contrast minimal. Curves are compact and slightly squared off, while many joins and terminals feel blunt and engineered rather than calligraphic. The overall rhythm is uniform and gridlike, with consistent character widths and spacing that reinforce a structured, machine-set look. Uppercase forms are sturdy and simplified; lowercase shows a tall, open silhouette with single-storey shapes (notably the a and g) that read clearly at size.
Its uniform set and structured rhythm make it well-suited to environments that benefit from consistent alignment, such as code, terminal-like readouts, forms, tables, and UI labels. The clear, simplified shapes also support functional uses like technical documentation, wayfinding, and compact informational typography where a brisk, modern tone is desired.
The font conveys a pragmatic, technical tone with a forward-leaning sense of speed. Its systematic spacing and sturdy shapes give it a utilitarian, workmanlike voice, while the slant adds a subtle dynamic, sporty energy.
The design appears intended to deliver a clear, systematic sans with consistent alignment and a dynamic slant, balancing utilitarian legibility with a sense of motion. The simplified, squared-off curves and blunt terminals suggest an emphasis on robustness and predictable texture across text and numerals.
Round characters such as O/0 and C stay fairly geometric, and the numerals share the same engineered simplicity, producing an even, no-nonsense texture in paragraphs. The slant is consistent across cases, helping mixed-case settings feel cohesive rather than like an upright face with an applied oblique.