Sans Superellipse Onbam 16 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Orgon' and 'Orgon Plan' by Hoftype, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: branding, ui design, signage, posters, packaging, modern, friendly, confident, clean, pragmatic, geometric clarity, approachable tone, system consistency, interface readiness, rounded corners, soft geometry, open counters, compact bowls, large apertures.
This is a geometric sans with rounded-rectangle construction and consistently softened corners. Strokes are sturdy and even, producing a dense, stable color in text. Round characters favor squarish superellipse shapes, while straight-sided forms keep crisp verticals and horizontal terminals. Counters are generally open and the spacing feels orderly, supporting clear word shapes at display and short-text sizes.
Works well for branding and identity systems that need a contemporary, approachable sans with strong presence. The rounded geometry and even stroke weight also suit UI labels, dashboards, and wayfinding, where clarity and consistency are important. It can carry short headlines, packaging callouts, and bold editorial subheads effectively.
The overall tone is modern and approachable, with a confident, no-nonsense presence. Rounded geometry adds warmth and a tech-forward friendliness without becoming playful or informal. It reads as contemporary and practical, suited to brands that want clarity with a soft edge.
The design appears intended to blend geometric rigor with softened superellipse shapes, creating a sans that feels systematic yet welcoming. Its consistent stroke behavior and compact, sturdy forms suggest a focus on reliable readability and a cohesive visual voice across letters and figures.
Uppercase forms look compact and solid, with broad shoulders and gently curved joins; diagonals (like in A, V, W, X) remain sharp enough to keep the font from feeling overly soft. Numerals share the same rounded-rectilinear logic, giving interfaces and headings a cohesive, systematic feel.