Solid Idpo 6 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Sebino Soft' by Nine Font and 'Camp' by Pelavin Fonts (names referenced only for comparison).
Keywords: posters, album covers, headlines, packaging, streetwear, grunge, handmade, raw, playful, rugged, distressed impact, diy texture, handmade feel, print grunge, street energy, distressed, blobby, ragged, inked, chunky.
A heavy, all-caps-forward display face with irregular, torn-looking contours and a dense, stamp-like silhouette. Strokes appear brushy and eroded, with uneven edges, small nicks, and occasional soft bulges that give each glyph a hand-formed feel. Counters and interior openings frequently collapse into small voids or close up entirely, producing compact, inky shapes with a lively, imperfect rhythm. Letterfit feels loose and organic rather than mathematically uniform, with subtly inconsistent joins and terminals that reinforce the rough texture across the set.
Best suited for short, high-impact copy such as posters, headlines, cover art, merch graphics, and packaging where a rugged, handmade texture is desirable. It works well when set large with generous tracking and clear contrast against the background, and is less appropriate for long passages or small UI text where the distressed edges and reduced counters can hinder readability.
The overall tone is gritty and energetic, like ink rubbed through a worn stencil or a rough screenprint. It reads as rebellious and DIY, balancing a friendly, cartoonish softness with a distressed edge that suggests noise, dirt, and motion.
This design appears intended to deliver a bold, tactile impression—evoking distressed printing, marker or brush painting, and worn lettering—while staying legible enough for attention-grabbing display use. The collapsed interiors and rough perimeter seem aimed at creating a solid, punchy silhouette that reproduces with a gritty character.
The texture is integral to the design: edge breakup is consistent enough to feel intentional, yet varied enough to keep repetition from looking mechanical. The face maintains recognizable Latin skeletons, but its filled counters and chunky mass can cause similar shapes to merge at smaller sizes or in tight settings.