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Free for Commercial Use

Sans Normal Lygak 4 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Arpona Sans' by Floodfonts, 'Muller' by Fontfabric, 'FS Koopman' by Fontsmith, 'Malva' by Harbor Type, 'Croma Sans' by Hoftype, and 'Altivo' by Kostic (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, social ads, sporty, punchy, loud, playful, retro, attention, momentum, impact, approachability, branding, slanted, rounded, compact, chunky, soft corners.


Free for commercial use
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A heavy, slanted sans with broad proportions and strongly rounded curves. Strokes are thick and largely uniform, with smooth transitions and softened terminals that keep counters open despite the dense weight. The drawing favors compact, sturdy shapes—particularly in the bowls and shoulders—while diagonal letters and numerals maintain a stable, forward-leaning rhythm. Overall spacing reads tight and efficient, producing a strong, cohesive block of text.

Best suited for display settings where impact and speed are desirable: headlines, posters, event graphics, and energetic brand moments. It can also work for packaging and short callouts where dense, high-contrast-on-page letterforms help information pop. Use with ample line spacing for multi-line copy to preserve readability.

The tone is energetic and assertive, with a fast, kinetic slant that feels sporty and promotional. Rounded forms temper the mass, giving it a friendly, accessible character rather than a harsh industrial feel. It suggests motion and impact—well suited to attention-grabbing messaging.

The design appears intended to deliver maximum visual punch with a sense of motion, combining a robust sans structure with rounded geometry and a strong slant. It prioritizes immediacy and presence in promotional or brand-forward contexts rather than extended reading.

The italic angle is pronounced and consistent across caps, lowercase, and numerals, reinforcing momentum. Numerals are bold and simple with generous curves, aligning visually with the letterforms for headline use. At smaller sizes the heavy weight and tight rhythm may reduce clarity, but at display sizes it reads confidently.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸