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Free for Commercial Use

Sans Normal Lygiz 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Ardena' by Fincker Font Cuisine, 'Croma Sans' by Hoftype, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, punchy, friendly, retro, impact, speed, bold display, brand presence, slanted, rounded, compact, bouncy, soft-cornered.


Free for commercial use
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A heavy, slanted sans with rounded geometry and softened corners that keep the dense weight from feeling harsh. Curves are broadly elliptical and counters are relatively tight, creating a compact, high-impact silhouette. Strokes stay visually even, with minimal modulation, and terminals are clean and blunt rather than tapered. Letterforms lean consistently, and the set shows a slightly lively, variable rhythm—some characters feel wider or more open (like O and Q) while others stay more compressed (like E, F, and S). Numerals match the bold, rounded construction and read well at display sizes.

Best suited for short, high-impact settings such as headlines, posters, event graphics, and bold brand marks. It can work well for sporty identities, promotional copy, packaging, and social graphics where a compact, energetic voice is needed. For paragraphs, it’s most effective in brief bursts (pull quotes, calls to action) rather than extended reading due to its dense color.

The overall tone is energetic and assertive while still approachable. Its roundness and steady slant give it a sporty, contemporary feel with a hint of retro signage and headline typography. The heavy color on the line reads confident and loud, suited to messaging that wants to feel dynamic and immediate.

The design appears intended to deliver maximum impact with an italicized sense of speed, combining sturdy, rounded sans construction with a compact, attention-grabbing presence. It prioritizes strong silhouette and momentum for display-led communication.

The italics are integral rather than a mere slant: diagonals and joins contribute to a forward-driving motion across words. In longer text blocks the strong weight produces a dark texture, so spacing and line length will matter to preserve clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸