Sans Superellipse Abduh 18 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Orgon' and 'Orgon Plan' by Hoftype and 'Aneba Neue' by Machalski (names referenced only for comparison).
Keywords: ui text, branding, signage, editorial, presentations, clean, modern, neutral, friendly, utilitarian, versatility, clarity, modernization, approachability, superelliptical, rounded corners, uniform strokes, open apertures, compact bowls.
This typeface is a straightforward sans with smooth, superellipse-like curves and subtly squared rounding in many bowls and terminals. Strokes are largely uniform, producing an even color and steady rhythm, while counters stay open enough for clarity. Curved letters such as C, G, O, and Q read as rounded rectangles more than perfect circles, and the overall geometry feels tidy and engineered. Terminals are mostly clean and blunt, with gentle softening at corners that keeps the forms from feeling rigid.
It fits well in interface copy and product typography where steady texture and clear letterforms matter, and it also works for brand systems that want a contemporary, approachable sans without overt personality. The clean geometry and consistent weight make it suitable for headings, wayfinding-style signage, and general editorial or presentation use where a crisp, modern voice is desired.
The overall tone is modern and pragmatic, with a calm neutrality that reads as contemporary rather than stylized. Rounded geometry adds a mild friendliness, but the construction stays purposeful and businesslike, making it feel dependable and unobtrusive.
The design appears intended as a versatile, geometry-driven sans that balances efficiency with a softer, rounded construction. Its superelliptical curves suggest an aim for contemporary technical clarity while maintaining approachable, polished forms for broad day-to-day use.
Proportions appear balanced with slightly compact curves and consistent spacing in the sample text, supporting an even, controlled texture across lines. Distinct, simple shapes for figures and capitals emphasize legibility and a no-nonsense visual cadence.