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Sans Superellipse Igba 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gusto Black' by BA Graphics, 'Rice' by Font Kitchen, 'Brown Pro' by Shinntype, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, bold, industrial, friendly, confident, compact, impact, branding, modernization, legibility, rounded corners, blocky, soft terminals, closed apertures, high impact.


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A heavy, block-forward sans with rounded-rectangle geometry and consistently softened corners. Strokes remain uniform with minimal modulation, producing dense, dark silhouettes and strong horizontal/vertical emphasis. Counters tend to be compact and often fairly closed, especially in letters like C, S, and e, while curves are squared-off into superellipse-like bowls. The lowercase is sturdy and workmanlike, with short extenders and robust joins; figures are similarly chunky and built for visual weight.

Best suited to large-scale typography where weight and presence are an advantage—headlines, posters, branding lockups, packaging, and signage. It also fits sports or industrial-adjacent identities where a strong, compact voice is desired, and can work for short callouts or UI labels when set with generous spacing.

The overall tone is assertive and utilitarian, but the rounded corners and squarish curves keep it approachable rather than harsh. It reads as contemporary and pragmatic, with a confident, no-nonsense presence suited to bold messaging.

The design appears intended to merge a sturdy, condensed-feeling mass with softened superellipse curves, creating a high-impact sans that stays friendly and contemporary. The consistent stroke weight and squared-round construction suggest a focus on clarity at large sizes and a distinctive, logo-ready silhouette.

At display sizes the shapes feel stable and uniform; in tighter settings the dense counters and closed apertures can make text look compact and inky, emphasizing headline impact over airy readability. The numerals and capitals share the same rounded-rectangular construction, reinforcing a consistent, industrial rhythm across mixed-case typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸