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Free for Commercial Use

Slab Square Mule 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Askan' by Hoftype, 'Bogue' by Melvastype, and 'Mundo Serif' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, sturdy, confident, vintage, industrial, editorial, impact, sturdiness, retro display, headline clarity, branding, blocky, bracketed, ink-trap hints, tight apertures, high impact.


Free for commercial use
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A heavy slab-serif design with broad proportions, compact counters, and a strong rectangular build. Serifs are thick and predominantly square-ended, with subtle bracketing and occasional pointed or notched joins that add snap at corners. Stroke modulation is modest, keeping the texture dense and even, while curves are slightly squared-off for a robust, poster-ready silhouette. Lowercase forms are sturdy with short, firm terminals; the overall rhythm reads solid and emphatic, and the numerals carry the same chunky, high-contrast-to-background presence.

Best suited to headlines, display typography, posters, and packaging where a dense, attention-grabbing texture is an advantage. It can also work for signage and bold branding marks, particularly when you want a sturdy slab-serif presence that holds up in large sizes and high-contrast applications.

The font projects a tough, dependable tone with a distinctly vintage, workmanlike flavor. Its mass and squared details suggest signage and print traditions, giving it a confident, no-nonsense voice that feels bold and slightly rugged rather than refined.

The design appears intended to deliver maximum impact with a classic slab-serif structure, emphasizing strength, legibility at display sizes, and a slightly retro print sensibility. Its squared terminals and compact internal spaces support assertive titling and brand-forward typography.

In longer text the weight creates a dark color and a tight feel, especially where apertures narrow and counters compress, which helps it stand out but can reduce airiness at smaller sizes. The shapes maintain a consistent, engineered look across caps, lowercase, and figures, making it well suited to short, high-impact settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸