Sans Faceted Uffa 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Mako' by Deltatype, 'Magnitudes' by DuoType, 'Refinery' by Kimmy Design, 'Amsi Grotesk' by Stawix, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, athletic, industrial, retro, commanding, mechanical, impact, ruggedness, geometric styling, display clarity, brand presence, faceted, blocky, octagonal, squared, compact.
A heavy, block-built sans with crisp planar cuts that replace curves with angled facets. Strokes are uniformly thick with low modulation, producing dense counters and a compact, forceful silhouette. Corners are consistently chamfered, giving rounded shapes like O, C, and S an octagonal geometry, while terminals stay blunt and squared. Spacing feels sturdy and even, and the overall rhythm is tight and impact-oriented, with simple, high-contrast-to-background shapes that read as solid slabs.
Best suited for display settings where impact and immediate recognition are the priority—headlines, posters, sports-themed identities, bold packaging, and assertive signage. It can also work for short labels or UI elements when a rugged, geometric voice is desired and sizes are generous enough to preserve interior clarity.
The faceted construction and squared heft project a rugged, no-nonsense tone associated with athletic numerals, industrial labeling, and retro arcade or sports aesthetics. It feels loud and assertive, with a utilitarian edge that prioritizes strength over delicacy.
The design appears intended to deliver a tough, high-impact display voice by translating familiar sans proportions into a faceted, chamfered geometry. The consistent corner cuts and uniform weight suggest an aim for sturdy reproducibility and a cohesive, emblem-like presence across letters and numbers.
The numerals follow the same chiseled logic, with strong, straight-sided forms and clipped corners that keep the set visually cohesive. In longer text the dense shapes create a dark, punchy texture, making the face better suited to short statements than extended reading.