Sans Normal Kodiy 12 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'News Gothic No. 2' by Linotype, 'RF Dewi' by Russian Fonts, 'Kommon Grotesk' by TypeK, and 'Tablet Gothic' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, advertising, dynamic, confident, sporty, modern, punchy, emphasis, motion, impact, modernity, oblique, geometric, rounded, compact, clean.
A heavy, oblique sans with compact proportions and smooth, rounded geometry. Strokes are consistently thick with minimal contrast, and terminals are clean and mostly straight-cut, giving the letterforms a sturdy, engineered feel. Curves in characters like C, G, O, and S are broadly circular, while diagonals in A, K, V, W, X, and Y create a strong forward rhythm. The lowercase is simple and contemporary, with single-storey a and g, a round dot on i/j, and a short-shouldered r; numerals are solid and straightforward with open counters and clear silhouettes.
This font is well suited to headlines, posters, and short emphatic statements where impact and motion are desirable. It can work effectively in branding and advertising, particularly for athletic, tech, or contemporary product messaging, and it performs best at display sizes where its dense shapes and tight apertures remain clear.
The overall tone is energetic and forward-leaning, reading as assertive and action-oriented. Its slant and dense weight suggest speed and emphasis, while the clean sans construction keeps it modern and no-nonsense.
The design appears intended to deliver strong emphasis with a sense of speed, using a clean geometric construction and a decisive oblique stance. It prioritizes bold presence and modern clarity for attention-grabbing typography.
The italic angle is pronounced enough to create a clear sense of motion, and the compact apertures in letters like e and s reinforce a dense, headline-friendly texture. The design maintains consistent spacing and visual color across the alphabet, helping lines of text look uniform and stable at larger sizes.