Sans Normal Ohmut 16 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'HK Nova' by Hanken Design Co., 'Chesna Grotesk' by Horizon Type, 'Hurme Geometric Sans No. 3' by Hurme, and 'Centra No. 2' by Monotype (names referenced only for comparison).
Keywords: branding, headlines, posters, ui labels, packaging, friendly, modern, confident, clean, approachable, clarity, impact, modernity, approachability, consistency, geometric, rounded, compact, sturdy, even.
This typeface is a solid, geometric sans with rounded bowls, smooth curves, and minimal stroke modulation. Counters are generous and mostly circular, giving letters like O, C, and G a clean, constructed feel. Terminals are predominantly straight-cut with a crisp finish, while joins stay simple and sturdy, producing an even rhythm in text. Proportions lean slightly compact with stable vertical stems, and the numerals follow the same robust, rounded construction for consistent color across mixed alphanumerics.
This font suits branding systems that need a strong, friendly sans presence, as well as headlines, posters, and short-form marketing copy where its compact, high-impact shapes read quickly. It also works well for UI labels and product packaging that benefit from a clean, contemporary tone and consistent alphanumeric styling.
The overall tone is friendly and contemporary, balancing a pragmatic, workmanlike structure with soft, rounded forms. Its heavy, even presence reads as confident and direct, without feeling sharp or aggressive. The geometry suggests a modern, straightforward voice suitable for clear messaging.
The design appears intended to deliver a modern geometric sans look with high visual solidity and straightforward readability. Rounded construction and simple terminals suggest a focus on clarity and approachability, while the dense overall color supports attention-grabbing display use.
In the sample text, the font maintains strong legibility through large open counters and clear silhouettes, with a dense, uniform texture at larger sizes. Curved characters keep a consistent roundness, while diagonals (such as in V, W, X, and Y) feel stable and well-balanced. The lowercase shows a simple, functional build that stays visually aligned with the uppercase’s geometric logic.