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Free for Commercial Use

Sans Normal Amraj 14 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Crossten Soft' by Emre Güven, 'Ghino' by Fontmachine, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Pulp Display' by Spilled Ink, and 'Mundial Narrow' by TipoType (names referenced only for comparison).

Keywords: ui text, branding, signage, headlines, data display, clean, modern, neutral, friendly, technical, clarity, versatility, modern utility, neutral branding, geometric, rounded, crisp, minimal, even rhythm.


Free for commercial use
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This typeface is a straightforward sans with geometric construction and smooth, rounded curves. Strokes are consistent and clean, with minimal modulation and largely uniform terminals, giving letters a crisp, contemporary silhouette. Uppercase forms read as simple and stable with broad, circular bowls, while lowercase shows clear, compact shapes and a two-storey “g” that adds typographic familiarity. Spacing appears even and predictable, supporting a steady texture in continuous text, and the figures are simple and legible with open counters and balanced proportions.

It suits interface typography, product and corporate branding, and general-purpose editorial settings where neutrality and legibility are priorities. The clear numerals and steady rhythm also make it a solid choice for dashboards, labels, and informational graphics, while its clean geometry holds up well for headings and short display lines.

The overall tone is neutral and contemporary, projecting clarity and practicality rather than strong personality. Its rounded geometry and straightforward letterforms feel approachable and calm, with a quietly technical, utilitarian sensibility suitable for everyday interface and information work.

The design appears intended as a dependable, all-around sans that emphasizes clarity, geometric simplicity, and consistent rhythm. It aims to deliver a modern, versatile voice that can blend into layouts without calling attention to itself while remaining distinctly crisp and readable.

The sample text shows good consistency between capitals, lowercase, and numerals, with clear differentiation between similarly shaped glyphs through proportion and counter shape. The forms maintain a stable baseline and consistent curve logic, helping paragraphs look orderly at larger display sizes as well as in running text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸