Sans Other Sojy 3 is a very light, wide, monoline, upright, normal x-height font.
Keywords: display, headlines, posters, branding, ui labels, techno, futuristic, modular, architectural, schematic, digital aesthetic, geometric system, technical voice, stylized signage, rectilinear, angular, octagonal, geometric, engineered.
A geometric, rectilinear sans built from straight strokes and sharp corners, with frequent squared-off bowls and occasional clipped/angled terminals that suggest an octagonal construction. Curves are largely avoided in favor of boxy counters and open apertures, giving letters like C, G, S, and 3 a segmented, constructed feel. Stroke weight stays consistent throughout, and the overall rhythm is airy and precise; some glyphs use open joins and single-stroke diagonals (notably in K, V, W, X, and Y), while others form near-rectangular outlines (O, D, Q). Figures follow the same modular logic, with 0/8 rendered as squared forms and 4–7 simplified into clean, linear silhouettes.
Best suited to display contexts where its modular geometry can be appreciated: headlines, posters, brand marks, packaging, and tech-oriented graphics. It also fits UI labels and interface-like callouts when set at comfortable sizes with ample spacing, while extended text may feel stark due to the constructed, segmented letterforms.
The tone is technical and futuristic, reminiscent of digital instrumentation, sci-fi UI labeling, and architectural drafting. Its disciplined geometry and deliberate reduction of curves produce a cool, engineered voice that feels modern and slightly experimental rather than conversational.
The design appears intended to translate a rigid, grid-based construction into a usable sans alphabet, prioritizing geometric consistency and a digitized, engineered aesthetic. It aims for a distinctive, system-like look that evokes technical signage and futuristic typography rather than traditional text comfort.
Distinctive details include boxy, almost “frame-like” rounds; open, bracketed forms for several lowercase letters; and a squared tittle on i/j. The typeface reads cleanly at display sizes, where the angular construction and negative spaces are most legible and intentional.