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Sans Normal Makag 10 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Dexa Pro' by Artegra, 'Resolve Sans' by Fenotype, 'Phonk' by Slava Antipov, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logo design, sporty, assertive, retro, energetic, friendly, impact, speed, display, branding, headline, rounded, oblique, bulky, soft corners, compact counters.


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A heavy, oblique sans with broad proportions and smoothly rounded geometry. Strokes stay uniform with minimal contrast, while terminals are blunt and slightly softened, giving forms a dense, molded feel. Curves are generously inflated (notably in O/C/G and the lowercase bowls), and counters tend to be tight, boosting impact at display sizes. The overall rhythm is forward-leaning and punchy, with sturdy joins and simplified details that keep shapes bold and graphic.

Best suited to attention-first typography such as headlines, posters, and bold editorial callouts. The forward slant and wide, rounded construction work well for sports branding, event graphics, and energetic product packaging. It can also serve as a strong base for logos and wordmarks where impact and motion are desired.

The tone is loud, energetic, and confident, with a sporty, headline-driven presence. Its rounded massing keeps the feel approachable rather than aggressive, while the slant adds motion and a sense of speed. Overall it reads as retro-modern: familiar, bold, and designed to grab attention quickly.

The design appears intended to deliver maximum visual punch with a sense of movement, using a strong oblique stance and rounded, low-detail shapes for quick recognition. Its construction prioritizes bold silhouettes and cohesive texture in large-scale settings, aiming for an energetic, contemporary display voice with a nod to classic sporty typography.

Lowercase forms emphasize chunky bowls and short apertures, producing strong word shapes and a compact internal texture. The numerals follow the same inflated, high-impact construction, staying cohesive with the letterforms in both curvature and weight. At smaller sizes the tight counters and heavy joins may reduce clarity, but in larger settings the silhouettes are clean and highly legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸