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Free for Commercial Use

Sans Superellipse Osmun 2 is a bold, normal width, monoline, upright, tall x-height, monospaced font visually similar to 'Libertad Mono' by ATK Studio, 'Leftfield' and 'Perfume' by Fenotype, 'Fabrikat Mono' by HVD Fonts, 'Interlaken' by ROHH, and 'Decima Mono' by TipografiaRamis (names referenced only for comparison).

Keywords: code, ui labels, posters, headlines, packaging, utilitarian, technical, industrial, retro, blunt, grid consistency, clarity, impact, utilitarian tone, squared-round, blocky, compact, high-contrast counters, sturdy.


Free for commercial use
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A heavy, squared-round sans with strictly uniform stroke weight and a grid-driven, monospaced rhythm. Curves are built from rounded-rectangle geometry, giving bowls and corners a superelliptical feel, while terminals are mostly flat and blunt. The uppercase is tall and compact with simplified joins, and the lowercase carries a large x-height with tight apertures; counters stay fairly rectangular and sturdy. Numerals match the same boxy, engineered proportions, reading clearly and consistently at display sizes.

Well suited to code samples, terminal-like UI, and any layout that benefits from predictable character widths and strong alignment. It also performs well in bold, high-impact applications such as posters, headlines, product packaging, and wayfinding-style labels where a compact, rugged voice is desired.

The overall tone is pragmatic and no-nonsense, with a machine-made, industrial character. Its squared curves and rigid spacing suggest technical labeling and utilitarian signage, while the chunky shapes add a slightly retro, workwear flavor.

The design appears intended to deliver maximum clarity and consistency within a strict grid, using rounded-square construction to soften an otherwise rigid, engineered structure. It prioritizes uniformity, punch, and quick recognition over nuanced calligraphic detail.

The monospaced spacing creates strong vertical alignment and a pronounced columnar texture in paragraphs. Tight inner spaces and compact letterforms make it feel dense and forceful, favoring short strings and headings over airy, delicate settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸