Sans Superellipse Soriz 6 is a bold, normal width, high contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, signage, packaging, industrial, retro, tech, sturdy, poster, impact, tech feel, modular geometry, retro display, squarish, rounded corners, condensed caps, blocky, stencil-like.
A compact, heavy sans with squarish outlines built from rounded-rectangle and superellipse forms. Strokes are thick and consistent, with tight interior counters and frequent open apertures created by small notches and cut-ins, giving many letters a slightly segmented feel. Terminals are blunt and softened by rounded corners; curves resolve into squared shoulders rather than true circles. Uppercase proportions read tall and narrow, while lowercase is similarly compact with simplified shapes and minimal differentiation, producing a rigid, rhythmic texture in text. Numerals follow the same boxy logic with rounded corners and short, squared curves.
Best suited to display roles such as posters, headlines, branding marks, product packaging, and wayfinding where its blocky superellipse construction can read as intentional and graphic. It can also work for short UI labels or section headers when a robust, industrial tone is desired, but is less ideal for long-form text at small sizes due to its dense counters and tight apertures.
The overall tone is industrial and engineered, with a retro display flavor that nods to signage, machinery labels, and techno-era graphics. Its chunky shapes and squared rounding convey toughness and practicality, while the carved apertures add a subtle sci‑fi or arcade-like edge.
The design appears intended to deliver maximum visual punch with a geometric, rounded-rect aesthetic, balancing friendliness from softened corners with a machined, modular structure. The carved-in apertures and compact proportions suggest an aim toward bold signage and techno-influenced display typography.
The typeface produces strong vertical emphasis and a dense, dark color, especially in mixed-case settings. Many glyphs rely on small openings rather than large counters, which enhances impact at larger sizes but can make fine details feel busy when reduced.