Sans Superellipse Rakey 12 is a regular weight, very narrow, low contrast, upright, tall x-height font visually similar to 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, ui labels, condensed, utilitarian, modern, authoritative, editorial, space saving, strong impact, systematic geometry, modern utility, monolinear, compact, rounded corners, straight-sided, high-waisted.
This typeface is a tightly condensed sans with predominantly straight, vertical-sided forms and subtly rounded corners, giving bowls a rounded-rectangle feel rather than true circles. Strokes are largely monolinear, with minimal contrast and crisp, square-ended terminals that keep the texture firm and even. Curves are restrained and controlled; counters are compact, and spacing appears economical, producing a dark, efficient vertical rhythm. The lowercase shows a tall x-height and short extenders, reinforcing a dense, stacked appearance in text, while figures follow the same narrow, compact proportions.
It works best where horizontal space is limited but a strong typographic presence is needed, such as headlines, subheads, posters, and compact branding applications. The narrow build and steady rhythm also suit packaging panels, signage, and UI/wayfinding labels where condensed text must remain clear at larger and medium sizes.
The overall tone feels functional and contemporary, with a sober, no-nonsense voice suited to information-forward typography. Its condensed posture and disciplined geometry read as assertive and space-saving, leaning more toward editorial clarity and industrial pragmatism than warmth or playfulness.
The design appears intended to deliver a modern condensed sans with a controlled, engineered geometry—maximizing fit per line while maintaining a consistent, sturdy texture. The softened-rectangle curves suggest a deliberate move away from purely circular grotesks toward a more systematic, industrial shape language.
Round characters (like O/C and related lowercase) look engineered from softened rectangles, which keeps the family visually consistent with the straight-sided letters. Diagonals (notably in A/V/W/X) are sharp and economical, and the overall silhouette stays clean and systematic across caps, lowercase, and numerals.