Sans Normal Libah 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bronkoh' by Brink, 'Neue Reman Sans' by Propertype, 'Akwe Pro' by ROHH, 'Monsal Gothic' and 'NuOrder' by The Northern Block, and 'LFT Etica' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, ads, sporty, dynamic, confident, modern, friendly, impact, motion, emphasis, branding, display, oblique, rounded, compact, blocky, punchy.
A heavy, oblique sans with broad, rounded shapes and a compact, forward-leaning stance. Curves are smooth and full, while terminals read clean and blunt, keeping the overall texture even and solid. Counters are relatively open for the weight, and the alphabet shows a consistent geometric rhythm with subtly squared-off joins in places. Figures are sturdy and straightforward, matching the letters’ dense, high-impact color.
This font is well suited to headlines, posters, and high-impact advertising where a dense, energetic word shape is an advantage. It can work effectively in sports and lifestyle branding, packaging callouts, and promotional graphics that need quick recognition from a distance. For extended text, it’s likely best reserved for short blocks, emphasis, or subheads due to its heavy color.
The overall tone is energetic and assertive, with a sporty immediacy that feels contemporary and promotional. Its slanted posture adds motion and urgency, while the rounded construction keeps it approachable rather than severe. The result is bold and attention-grabbing, suited to messages that want to feel active and confident.
The design appears intended to deliver a modern, athletic display voice: a bold sans that combines geometric roundness with a strong oblique slant to convey speed and impact. It prioritizes presence and clarity in large sizes while maintaining a friendly, contemporary feel.
The heaviest strokes and tight internal space create a strong silhouette that reads best at larger sizes or in short bursts. The oblique angle is pronounced enough to influence word shape and pacing, producing a lively rhythm in headlines and display lines.