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Free for Commercial Use

Sans Superellipse Gimek 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Noteworthy' by Gerald Gallo and 'Heavy Boxing' by Vozzy (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, tech, industrial, retro, assertive, playful, impact, modular, tech branding, display, rounded, squared, blocky, compact, geometric.


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A heavy, rounded-rectangle sans with a squared, superelliptical construction throughout. Corners are broadly radiused, with mostly uniform strokes and tightly controlled curves that read more like softened blocks than circles. Counters tend to be rectangular and compact, terminals are blunt, and many forms show deliberate notch-like joins (notably in S/s and some diagonals), reinforcing a constructed, modular feel. The lowercase is sturdy and simplified, with a single-storey a and g and short, square-ended arms and tails; figures are equally boxy and high-impact.

Best suited to display contexts where impact and recognizability matter: headlines, posters, product branding, packaging, and environmental or wayfinding-style signage. It also works well for tech-leaning identities, game/UI titles, and short emphatic copy where its blocky rhythm can set a strong voice.

The overall tone is bold and mechanical, evoking digital-era signage and industrial labeling while still feeling friendly due to the rounded corners. Its chunky geometry gives it a confident, game-like energy that can read as both retro-futuristic and utilitarian.

The font appears designed to translate a rounded-rectangular, modular geometry into a cohesive alphabet with maximum presence. It prioritizes bold silhouettes, simplified structures, and consistent corner rounding to produce a distinctive, contemporary-meets-retro display voice.

The design favors clear silhouettes and strong rhythm over delicate interior detail, so spacing and counters feel intentionally tight and punchy at display sizes. Several glyphs use squared cut-ins and inward corners as stylistic signatures, creating a distinctive texture in running headlines.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸