Sans Superellipse Gikor 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Flexo' and 'Flexo Soft' by Durotype, 'FS Joey' and 'FS Joey Paneuropean' by Fontsmith, 'Decima Nova Pro' by TipografiaRamis, and 'Quan Geometric' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, industrial, friendly, sporty, punchy, impact, clarity, modernity, approachability, strength, blocky, rounded, compact, geometric, sturdy.
A heavy, geometric sans with rounded-rectangle (superellipse) construction and broadly even stroke weight. Corners are softened but not bubbly, giving shapes a blocky, machined feel. Counters tend to be compact and squared-off, and terminals are mostly flat, producing dense, high-impact word shapes. Lowercase forms are tall and upright with simple, utilitarian detailing; diagonals and joins are crisp, while curves resolve into controlled, squarish rounds. Numerals follow the same stout geometry, with wide, solid bowls and minimal contrast.
Best suited for display settings where impact and quick recognition matter: headlines, posters, logos/wordmarks, packaging, and bold wayfinding or signage. It can also work for short UI labels or badges when a sturdy, high-visibility voice is desired.
The overall tone is bold and straightforward—confident and workmanlike, with a friendly edge from the rounded corners. It feels sporty and contemporary rather than delicate, projecting strength, clarity, and a no-nonsense attitude.
The design appears intended to deliver maximum presence with a clean, geometric voice—combining industrial sturdiness with softened corners for approachability. Its superelliptical forms and flat terminals suggest a modern, systematized look aimed at strong, consistent display typography.
The font’s tight counters and heavy mass create strong color on the page, especially in longer lines of text, where it reads as compact and emphatic. The consistent rounding across curves and corners helps maintain cohesion between uppercase, lowercase, and figures.