Sans Superellipse Esmed 18 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka (names referenced only for comparison).
Keywords: ui labels, branding, signage, packaging, posters, modern, technical, efficient, clean, neutral, contemporary utility, forward motion, geometric clarity, softened modernism, oblique, geometric, rounded, tight apertures, smooth curves.
This is an oblique sans with a clean, geometric construction and softly rounded terminals. Curves are drawn with a superelliptical feel—more rounded-rectangle than purely circular—giving counters and bowls a smooth, controlled look. Strokes are even and low in contrast, with a steady rhythm and compact apertures that keep forms tidy and disciplined. The uppercase reads sturdy and slightly condensed in feel, while the lowercase maintains clear differentiation with simple, single-storey shapes and straightforward joins; numerals follow the same streamlined, rounded geometry.
It suits interface labeling, dashboards, and product surfaces where a modern oblique sans can add motion without becoming decorative. It also works well for branding headlines, wayfinding and short signage, and compact editorial callouts where clean geometry and even color are priorities.
The overall tone is contemporary and utilitarian, with a subtle forward-leaning momentum from the oblique stance. It feels practical and engineered rather than expressive, suggesting speed, clarity, and a no-nonsense visual voice.
The design appears intended to provide a modern, slanted sans for contemporary communication, pairing geometric discipline with softened corners for a friendlier, less rigid finish. The consistent stroke and controlled apertures suggest a focus on maintaining a stable texture in running text while keeping a sleek, technical flavor for display.
Round letters like O and Q show the font’s rounded-rectangle geometry most clearly, and the diagonal strokes (V, W, X, Y) stay crisp without sharp, calligraphic modulation. The oblique angle is consistent across cases, helping text blocks look cohesive and gently dynamic.