Sans Superellipse Utgof 2 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Arian', 'Eurostile Candy', 'Eurostile Next', and 'Eurostile Next Paneuropean' by Linotype and 'Novin' and 'Parsi' by Naghi Naghachian (names referenced only for comparison).
Keywords: headlines, branding, logos, ui display, posters, futuristic, tech, industrial, sporty, digital, modernize, maximize impact, interface feel, brand distinctiveness, rounded corners, square-oval, geometric, modular, compact counters.
A geometric sans with squared, superelliptical curves and consistently rounded corners that give many forms a rounded-rectangle silhouette. Strokes are uniform and heavy with minimal modulation, and terminals are clean and blunt. The design favors wide, open proportions and short-radius curves, producing compact counters in letters like B, 8, and 9, while round characters (O, Q, 0) read as softened squares rather than circles. Lowercase forms are simplified and sturdy, with single-storey a and g, a broad-shouldered n/m, and a straight, utilitarian rhythm that stays consistent from capitals through numerals.
Best suited to display contexts where bold, geometric letterforms are an asset: headlines, logos, packaging, tech product branding, and UI/overlay labels. It also works well for short blocks of text in navigation, titling, or signage where clarity and a modern, engineered character are desired.
The overall tone is modern and engineered, evoking technology interfaces, transportation signage, and performance branding. Its rounded-square geometry feels both friendly and mechanical, balancing approachability with a purposeful, high-impact presence.
The design appears intended to deliver a distinctive, high-impact sans that blends rounded-rectangle geometry with straightforward construction for strong recognition at a glance. Its consistent corner rounding and broad proportions suggest an emphasis on modernity, robustness, and a cohesive “tech” texture across letters and numerals.
Distinctive details include the squarish bowl construction, the clipped/channeled feel of internal apertures, and numerals that echo the same rounded-rectangle logic (notably 0, 2, 3, 5, and 8). Diagonals in V/W/X/Y/Z are crisp and angular, adding speed and edge against the softer curves. In text, the wide set and heavy color create a strong horizontal drive and a pronounced, contemporary texture.