Slab Contrasted Susa 4 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Capital' and 'Lagom' by Fenotype, 'Archer' by Hoefler & Co., and 'Clarendon' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, western, collegiate, poster, industrial, confident, impact, nostalgia, authority, legibility, bracketed, blocky, ink-trap hints, rounded joins, high impact.
A heavy, block-like slab serif with prominent, bracketed slabs and compact interior counters. Strokes show a noticeable contrast for such a strong weight, with sturdy verticals and slightly lighter connecting strokes, creating a carved, stamped rhythm. Terminals are squared and decisive, with gentle rounding at joins and inside corners that keeps the forms from feeling brittle. The lowercase is robust and wide-set, with single-storey a and g, a substantial x-height, and short ascenders that contribute to an overall dense, poster-friendly texture.
Best suited to display work where strong presence is needed: headlines, posters, labels, and bold brand marks. It also fits thematic applications such as western-leaning identities, collegiate-inspired graphics, and vintage sign-style layouts where slab serifs help anchor the message.
The tone is assertive and nostalgic, evoking vintage signage, athletic lettering, and old-style print ephemera. Its weight and chunky serifs convey solidity and confidence, while the soft bracketing adds a friendly, approachable warmth.
The design appears intended to deliver maximum impact with a classic slab-serif voice: sturdy forms, clear silhouettes, and a rhythmic, print-oriented texture that stays readable while projecting character. It prioritizes attention-grabbing display performance over subtle text finesse.
Numerals are similarly weighty and legible, with rounded bowls and strong horizontals that hold up in large display settings. The overall spacing reads open enough to avoid clogging at headline sizes, but the dense counters suggest it will look best with a touch of breathing room in tight compositions.