Sans Normal Olkoz 13 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Atenta' by Glen Jan, 'Flaunters' by Greentrik6789, 'Averta PE' by Intelligent Design, 'Interval Sans Pro' by Mostardesign, and 'Pln Hyeonbatang' by Ziwoosoft (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, pragmatic, display impact, clear legibility, brand presence, geometric simplicity, rounded, geometric, high-contrast shapes, open counters, clean terminals.
A heavy, rounded geometric sans with a sturdy, even stroke and smooth curves throughout. Uppercase forms are broad and stable with clean, straight-sided construction in letters like E, F, H, and N, contrasted by circular bowls in C, G, O, and Q. Lowercase follows a single-storey approach for a and g, with compact, rounded bowls and short, practical joins; terminals tend to finish flat with occasional subtly angled cuts. Numerals are large and highly legible, with a clear, closed 8 and an open, round 3 and 5 that match the typeface’s circular rhythm.
Best suited to display applications where impact and quick recognition matter, such as headlines, posters, brand marks, packaging, and storefront or wayfinding signage. It also works well for short UI labels and callouts when a bold, friendly emphasis is needed, though its dense weight suggests reserving it for larger sizes rather than long-form text.
The overall tone is straightforward and contemporary, projecting confidence and clarity without feeling cold. Its rounded geometry adds a friendly, approachable edge, while the heavy weight gives it strong visual presence for short, impactful messages.
Designed to deliver a modern, approachable display voice built on simple geometric shapes and strong, even strokes. The intention appears to prioritize immediate legibility and a confident silhouette that holds up well in bold statements and branding-driven layouts.
Counters remain relatively open for the weight, helping readability at large sizes, while the tight apertures in letters like S and G add a compact, logo-like density. The design leans more geometric than humanist, with consistent curves and a steady, structured rhythm across the alphabet and figures.