Sans Normal Yera 11 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Birulaot' by BLV Supply; 'Giga Sans' by Locomotype; 'Belle Sans' by Park Street Studio; and 'Loew', 'Loew Next', and 'Loew Next Arabic' by The Northern Block (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, signage, handmade, friendly, rustic, playful, warm, add texture, feel handmade, boost warmth, increase impact, rounded, blunt, textured, informal, sturdy.
A heavy, rounded sans with blunt terminals and softly squared curves. Strokes show noticeable edge texture and slight irregularity, giving the letters a printed or brush-inked feel rather than a clean geometric finish. Counters are generally open and generous, and the overall forms lean toward simple, compact constructions with minimal detailing. The lowercase has a straightforward, workmanlike rhythm, while the uppercase maintains broad, stable silhouettes; figures are similarly solid and easy to spot at a glance.
Best suited for posters, headlines, packaging, and branding where a friendly, handmade texture is desirable. It can work well for café/food concepts, crafts, outdoor or heritage-leaning themes, and informal signage that benefits from bold, high-visibility letterforms. It is less ideal for small UI text or extended body copy where the textured edges may soften fine detail.
The overall tone is warm and approachable, with a casual, handmade character that feels human and slightly rugged. Its textured edges suggest analog production—like ink on paper—adding a cozy, craft-oriented personality. The font reads confident and sturdy, with a lightly playful bounce created by its imperfect contours.
The design appears intended to deliver a strong, legible sans foundation while injecting analog warmth through roughened outlines and slightly uneven stroke boundaries. It aims to balance bold readability with an artisanal, human-made impression for expressive display typography.
Texture and minor shape variation are consistent across letters and numbers, contributing to a cohesive “imperfect” system rather than random distortion. The weight and open counters help maintain clarity, but the rough edges and dense color make it feel more suited to display than long-form reading.