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Free for Commercial Use

Sans Superellipse Pygeh 3 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Gibstone' by Eko Bimantara; 'LMT Capenga' by Lamatype; and 'Sharp Grotesk Latin', 'Sharp Grotesk Paneuropean', and 'Sharp Grotesk Thai' by Monotype (names referenced only for comparison).

Keywords: ui text, product design, wayfinding, editorial, branding, clean, modern, neutral, friendly, utilitarian, clarity, modernization, approachability, systematization, rounded corners, soft geometry, open apertures, straight-sided rounds, crisp terminals.


Free for commercial use
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This sans serif uses a geometric, rounded-rectangle construction: curves read as softened corners on broadly straight-sided bowls, producing superellipse-like counters in letters such as O, C, and G. Strokes are even and steady with crisp, mostly horizontal/vertical terminals, and the overall rhythm is tidy and consistent. Lowercase forms are compact and legible with clear differentiation between similar shapes (notably I/l and 0/O via the slashed zero), while the numerals and capitals keep a clean, engineered silhouette.

It suits interface copy, dashboards, and product labeling where clarity at a range of sizes matters, and it can also handle editorial subheads and short passages with a clean, contemporary voice. The geometric softness works well for tech, tools, and modern retail branding that wants to feel approachable without becoming playful.

The tone is contemporary and matter-of-fact, with a subtly friendly feel coming from the softened corners and generous interior space. It communicates clarity and restraint rather than expressiveness, lending a calm, technical confidence.

The design appears aimed at a highly legible, contemporary grotesk with a superelliptical geometry that feels precise but not sharp. The softened corners and structured round forms suggest an intention to balance modernist clarity with a mild warmth for everyday on-screen and print use.

Round letters tend to appear slightly squared-off, which gives text a structured, grid-friendly texture. Punctuation and dots are simple and sturdy, and the overall fit reads practical for continuous text as well as UI-style labeling.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸