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Sans Normal Armoy 6 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Poynter Gothic' by Font Bureau (names referenced only for comparison).

Keywords: ui text, signage, editorial, presentations, branding, modern, neutral, clean, functional, friendly, clarity, versatility, modernity, usability, neutrality, geometric, monoline, open apertures, large counters, crisp terminals.


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This sans-serif has a clean, monoline construction with smooth, near-circular curves and straight-sided verticals. Proportions feel contemporary and efficient: uppercase forms are compact and even, while lowercase is notably large and rounded, giving strong presence in text. Curves are broadly drawn with generous counters (especially in o, e, and 8), and joins stay tidy without flare or calligraphic modulation. Terminals are crisp and mostly square-cut, with consistent stroke endings that keep word shapes orderly and predictable.

Well-suited for UI labels, app/website typography, dashboards, and other settings where clean shapes and consistent rhythm support quick scanning. It also fits signage and wayfinding, as well as editorial layouts and presentations that benefit from a modern, unobtrusive sans. For branding, it works best when a clear, contemporary, and approachable tone is desired.

The overall tone is modern and neutral, aiming for clarity rather than personality. Its rounded geometry adds a mild friendliness, but the strict, unadorned detailing keeps it professional and utilitarian. It reads as a straightforward, dependable voice suited to contemporary interfaces and branding that needs to feel clean and approachable.

The design appears intended to provide a contemporary, no-nonsense sans with rounded geometric foundations and strong everyday legibility. Its consistent stroke behavior and open, spacious counters suggest a focus on clarity in text, while keeping forms simple enough to feel versatile across digital and print contexts.

The rhythm in running text is steady, with smooth curves and open interior spaces helping legibility at larger sizes. Uppercase feels slightly more reserved and technical, while the large, rounded lowercase brings warmth and readability. Numerals are simple and open, with the 0 and 8 strongly circular and the 1 and 7 more linear, maintaining a consistent geometric logic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸