Sans Normal Abkoj 10 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Epoca Pro' by Hoftype, 'Malino' by Lafontype, 'Camphor' by Monotype, 'Quercus Sans' by Storm Type Foundry, and 'Foundry Form Sans' by The Foundry (names referenced only for comparison).
Keywords: ui labels, editorial, product branding, presentations, signage, clean, modern, dynamic, friendly, practical, versatility, legibility, contemporary tone, forward motion, clarity, oblique, humanist, open apertures, rounded terminals, generous spacing.
A clean oblique sans with smooth, gently rounded forms and a steady, low-contrast stroke. Curves are drawn with broad elliptical geometry, while joins stay crisp and uncomplicated. Counters are open and legible, with airy interior space and relatively generous sidebearings that keep text from feeling cramped. The lowercase shows a single-storey “a” and “g” and overall straightforward construction, while figures are clear and utilitarian with consistent rhythm across the set.
This font works well for UI labels, dashboards, and product interfaces where an oblique style is desired without sacrificing clarity. It also suits editorial layouts, presentations, and lightweight branding applications that benefit from a contemporary, energetic sans in both short headlines and running text.
The overall tone is modern and approachable, with an energetic forward slant that suggests motion without becoming overly stylized. It feels neutral and practical, suitable for everyday communication, while the rounded shapes add a mild friendliness.
The design appears intended as a versatile oblique sans: contemporary in feel, easy to read, and restrained in detailing. Its open counters, rounded shaping, and consistent slant aim to deliver an active tone while remaining broadly usable across text and display contexts.
The italic angle is consistent across capitals, lowercase, and numerals, producing a cohesive texture in paragraphs. Round letters (like o/c/e) read notably open, supporting clarity at smaller sizes, while wide forms (such as W and M) add a subtle, lively cadence to headlines.