Sans Superellipse Tebej 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Timeout' by DearType, 'Gotham' by Hoefler & Co., 'Prelo Compressed' by Monotype, 'Fact' by ParaType, 'Akwe Pro' by ROHH, 'Robusta' by Tilde, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, merchandise, playful, retro, poster-like, punchy, casual, impact, approachability, vintage feel, handmade texture, compact set, rounded, blocky, soft corners, condensed, irregular.
A heavy, condensed sans with rounded-rectangle construction and softened corners throughout. Strokes are uniformly thick with minimal modulation, producing dense, ink-rich counters and sturdy silhouettes. Terminals and joins show slight irregularity that reads as a hand-cut or stamped texture rather than a mechanically perfect outline, adding a lively rhythm across words. Uppercase forms are compact and vertical, while lowercase remains simple and sturdy, keeping an overall consistent, blocky color in text.
Best suited to short, high-impact settings such as posters, headlines, packaging titles, and logo wordmarks where its dense weight can deliver strong presence. It also works well for merchandise graphics and bold labels, especially when a friendly retro or handmade impression is desired. For longer text, it performs most comfortably at larger sizes where the compact counters remain clear.
The tone is bold and approachable, mixing a retro display feel with a casual, handmade edge. Its softened geometry keeps it friendly, while the dense weight and tight proportions make it feel emphatic and attention-seeking. The subtle roughness adds character and warmth, suggesting packaging, sign paint, or print ephemera.
The design appears aimed at delivering maximum impact in a compact footprint while staying friendly and informal. Its rounded-rectangle skeleton and slight roughness suggest an intention to evoke vintage print or hand-made signage aesthetics without becoming decorative or script-like.
Round letters like O/Q/C lean toward squarish, superelliptical bowls, and many glyphs appear slightly asymmetric in their interior shaping, which contributes to a lively, imperfect charm. Numerals match the same compact, sturdy build and hold up well as standalone shapes.