Sans Superellipse Omdiz 5 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Pantograph' by Colophon Foundry, 'FF Good' by FontFont, 'Bellfort' by GRIN3 (Nowak), 'Classic Grotesque' by Monotype, and 'East' by Tarallo Design (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, compact, industrial, poster-ready, utilitarian, confident, space saving, impact, modernity, durability, brand voice, condensed, blocky, rounded corners, vertical stress, tight spacing.
This typeface is a tightly condensed, heavy sans with rounded-rectangle construction throughout. Strokes are monolinear and firm, with squared terminals softened by small radiused corners, producing a sturdy, almost stamped silhouette. Counters are compact and somewhat closed, and curves tend to resolve into flattened arcs rather than true circles, giving O/C/G and similar forms a superelliptical feel. The lowercase is straightforward and workmanlike, with single-storey a and g, short apertures, and strong vertical rhythm; punctuation and figures match the dense, blocky color.
It works best for short, high-impact text such as headlines, posters, labels, and signage where dense width efficiency is helpful. The strong, condensed forms also suit sports or event branding and punchy editorial callouts, while longer passages may feel heavy due to the tight counters and dark texture.
The overall tone is assertive and practical, with a compressed, no-nonsense voice that reads as industrial and display-forward. Its rounded corners keep the weight from feeling harsh, adding a slightly friendly, packaged-goods sensibility while remaining confident and direct.
The design appears intended to deliver maximum impact in minimal horizontal space, combining a compressed footprint with robust, rounded-rectilinear shapes for a modern, durable look. The consistent corner rounding suggests an aim for a packaged, engineered aesthetic that stays readable and cohesive at display scales.
The narrow set width and tight internal spaces create a dark, continuous texture, especially in all-caps. Rounded corners and flattened curves are consistent across letters and numerals, reinforcing a cohesive, modular feel at headline sizes.