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Free for Commercial Use

Sans Faceted Miru 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Kairos Sans' and 'Kairos Sans Variable' by Monotype, and 'PT Filter' by Paavola Type Studio (names referenced only for comparison).

Keywords: headlines, logos, posters, signage, sports branding, technical, industrial, sporty, futuristic, utilitarian, geometric branding, industrial clarity, display impact, systematic construction, faceted, chamfered, angular, octagonal, stencil-like.


Free for commercial use
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A crisp, angular sans with planar facets that substitute for curves across bowls and terminals. Strokes are uniform and straight-sided, with frequent chamfered corners and octagonal counters, giving letters like O, C, G, and S a cut, geometric silhouette. Proportions are compact and squared-off, with clear rectangular stems and simplified joins; lowercase forms keep a straightforward, built-from-bars construction with minimal modulation. Numerals follow the same hard-edged logic, reading cleanly and consistently in a tabular, sign-ready rhythm.

Well suited to headings, wordmarks, and identity systems that benefit from a hard, engineered voice—such as athletic graphics, industrial packaging, event posters, and directional signage. It also works effectively for UI labels or dashboard-style typography where sharp geometry and consistent stroke weight are desired.

The overall tone is mechanical and engineered, evoking industrial labeling, sports numbering, and contemporary tech interfaces. Its faceted geometry adds a mild sci‑fi edge while staying matter-of-fact and legible, projecting precision and toughness rather than warmth.

The font appears designed to translate a geometric, octagonal construction into an approachable sans for display use, emphasizing repeatable chamfers and straight segments for a cohesive, machine-made look. Its simplified forms prioritize quick recognition and a strong silhouette, suggesting an aim toward branding and titling contexts where a technical edge is an asset.

The design relies on repeated chamfers for cohesion, producing a distinctive pixel/scoreboard-adjacent flavor without fully committing to a grid. Closed shapes remain relatively open internally due to the clipped corners, which helps maintain clarity at display sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸