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Free for Commercial Use

Sans Superellipse Kema 4 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Absolut Pro' by Ingo, 'Entropia' by Slava Antipov, 'Robusta' by Tilde, 'TT Bluescreens' by TypeType, and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, app promos, sporty, urgent, industrial, retro, space saving, high impact, speed emphasis, modern utility, condensed, oblique, punchy, blocky, rounded.


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A tightly condensed, heavy sans with a strong rightward slant and compact proportions. Strokes stay largely uniform, producing a solid, low-contrast color, while corners and joins are softened into rounded, superelliptical shapes that keep counters open despite the density. The rhythm is fast and vertical, with tall lowercase forms, short extenders, and a slightly compressed, engineered feel in curves and terminals. Numerals and capitals match the same compact, muscular construction, emphasizing impact over delicacy.

Best suited to short, high-impact text such as headlines, posters, athletic branding, product packaging, and promotional graphics where a condensed, forceful voice is needed. It can work in subheads or callouts, but the dense color and oblique stance make it less ideal for long passages at small sizes.

The overall tone feels energetic and assertive, with a sense of speed and forward motion from the oblique stance and condensed width. Its bold, rounded-rect geometry reads modern and utilitarian, while also hinting at vintage athletic and industrial lettering traditions.

The design appears intended to deliver maximum impact in limited horizontal space while maintaining friendly, rounded structure. By combining dense weight with softened superelliptical curves and a consistent slant, it aims to communicate motion, strength, and modern utility in display contexts.

Spacing appears tuned for headline use: the narrow set and heavy weight create a tight texture, and the rounded corners help prevent the forms from feeling brittle at large sizes. The italic angle is consistent across cases, reinforcing a cohesive, directional voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸